By 1931, De Sica had become a leading film actor. The tensive continuity between tragic and comic, the deployment of a detailed yet poetic gestural language, and a humanist philosophy without recourse to the politically radical are all elements of De Sica's work that are paralleled in the silent star's films. He did this mostly to fund his career as a director. He specialized in breezy comic heroes, men of great self-assurance or confidence men as in Rossellini's Generale della Rovere. He was more and more drawn towards performing, and produced his display screen debut while still in his teenagers, signing up for a stage firm in 1923. Experimental cinema should be inexpensive cinema.
There are times when some films are received well and others aren't. De Sica attempted to reconstruct reality in the studio during the making of this work, making use of a somewhat unsuccessful stylized lighting technique. I love humanity, I trust humanity, but humanity has a way of disillusioning me. The film was also his first of many collaborations with scenarist Cesare Zavattini, a combination which shaped the postwar Italian Neorealist movement. The sequence of the film in which the maid wakes up and makes the morning coffee has been praised many times for its dayin-the-life directness and simplicity. Mercader, Maria, La mia vita con Vittorio De Sica, Milan, 1978.
Biography of Vittorio De Sica net worth was updated in 2019. Bicycle Thieves was cited by as one of the 15 most influential films in cinema history. Periodicals Avant-Scene du Cinema Paris , October 15, 1978. A great admirer of and above all of , he named his first child Brando in honor of the American actor. Reduced to thievery himself, he takes his son's hand and disappears into the crowd. Each episode propels the narrative toward a sublimely Chaplinesque but insufficiently socially critical ending in which Ricci is defeated in his search and therefore in his attempts to provide for his family.
Grandfather of Manuel's son , Mariarosa and Christian's children. The exactitude with which he sculpts his characters and his reluctance to reduce the scenario to a mere bunch of gags demonstrates his intention to fuse comedy and drama, putting De Sica at the top of his class in this respect—among Risi, Comencini, and Monicelli. He received the America Award of the in 2016. Although Ieri, oggi, domani 1963 gained him another Oscar, it had been generally recognized that his profession among the great directors was over. The exactitude with which he sculpts his characters and his reluctance to reduce the scenario to a mere bunch of gags demonstrates his intention to fuse comedy and drama, putting De Sica at the top of his class in this respect--among Risi, Comencini, and Monicelli. At least I have enthusiasm.
He performed in Tatiana Pavlova's stage company in 1923. This comes from the contrast between my love and my disillusion. By 1931, De Sica had become a leading film actor. Though still within the confines of realism, the film foreshadows the director's entrance into the popular Italian market for sexual satire and farce. The 1956 marked something of a return to neorealist form, but when it too failed commercially, De Sica's career as a filmmaker was critically damaged.
Early Directorial Work De Sica's directorial debuts, Rose scarlatte 1940 and Maddalena, zero in condotta, were both attempts to bring theater pieces to the screen with suitable roles for himself. He became a French citizen in order to marry Mercader. Despite its notable credits, the film was poorly received when it was released. De Sica attempted to reconstruct reality in the studio during the making of this work, making use of a somewhat unsuccessful stylized lighting technique. Sciuscia, a realistic look at the street and prison life of poor, abandoned children, was the result. The filmmakers returned to comedic vehicles in 1954 in L'oro di Napoli.
With 1932's La Vecchia Signora, he made his sound-era film debut and went on to become an even bigger star in the cinema, appearing primarily in light romantic comedies throughout the decade. He acted in many films with his then-wife, Giuditta Rissone. Il giardino dei Finzi Contini, based on a Bassani novel about the incarceration of Italian Jews during the war, shows a strong Viscontian influence in its lavish setting and thematics the film deals with the dissolution of the bourgeois family. And we feel together the same. As the 1940s began and Nazi occupation was in its early stages in Italy, De Sica developed an urge to direct. Leprohon, Pierre, Vittorio De Sica, Paris, 1966. Continually wooed by Hollywood, De Sica finally acquiesced to make Stazione termini in 1953, produced by David Selznick and filmed in Rome with Jennifer Jones and Montgomery Clift.
In the 1920s his handsome features and talent made him something of a matinee idol. Vittorio De Sica had to use actors that did not have a lot of training. Vittorio De Sica Associated With He directed the 1964 Italian film Matrimonio all'italiana Marriage Italian-Style starring. It is necessary to all professions to have enthusiasm in order to have success. He married again in 1959 to Maria Mercader. We are the same people, the same origin. Death Vittorio De Sica struggled with many problems near the end of his life.
The films of Vittorio De Sica 1902-1974 are among the most enduring of the Italian post-war period. The couple had two sons. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. The story of Toto the Good in Miracolo a Milano remains one of the outstanding stylistic contradictions of the neo-realist period there are many , yet one which sheds an enormous amount of light on the intentions and future of the De Sica-Zavattini team. Una breve vacanza, an examination of a woman who has managed to break out of the confines of an oppressive marriage during a sanitorium stay, reinstitutes the tensive relationship between comedy and tragedy of the earlier films.