This can be expanded to include the attack of mankind upon nature, and whilst Wordsworth only explicitly reflects upon the wrong which he has caused at the end of the poem, there could be recognised an implicit moral interrogation of mankind throughout. He grew up to become one of the most famous Romantic poets who helped launch the Romantic Age in English literature. The poet is quite an old man. Religion is a fundamental social factor that provides the society with the guide of morality. But in fact as you go through the poem you learn that this is the first few signs of his developing conscience. Moreover, it is significant that his characterization of life in this way embraces both the inner person as well as the outer one. In four simple stanzas the poet has shown the art of imagery, which nobody could possibly have done.
However, in reality, nature is not so idyllic - moss, often feeling damp and cold, would not be soft and warm like a sheep's wool; water would not sparkle or resemble the perfect images found in fairytales, but in the speaker's idyllic remembrance any negative thoughts or feelings he may have towards nature are left out. In other words, Wordsworth's 'Nutting' provides one of the best illustrations of the originality of romantic language and poetic form of the Romantic poets… Download file to see previous pages The entire poem, especially the illustration of the child and its experiences, help the poet introduce the readers to the specific characteristics of Romantic language and style. True, he uses sexual rape language, but that could be to make the message more powerful. In the lines 26 until 29 follows a flowery description of the sexual intercourse, in which he deflowers the girl L. In this poem, the reader finds Wordsworth's intense and loving memory of natural scenes. Religion is a fundamental social factor that provides the society with the guide of morality. Rather, I feel Wordsworth implicitly compares his violation of the tree to a violation of a female virgin only in order to heighten the emotional impact of the moment when he cuts down the tree.
It is unlikely that the message and morality in Nutting was drawn from The Faerie Queene, and Wordsworth might have been indulging in a personal literary joke. Posted on 2010-11-07 by a guest. Wordsworth was a lover of nature and most of his poems like 'The Daffodils' reflect his liking for the beauty of nature. Perhaps it chronicles the process of growing up. I made no vows, but vows Were then made for me; bond unknown to me Was given, that I should be, else sinning greatly, A dedicated spirit. Wordsworth describes the length of time it has been since his revisit to.
I definitely find the rewriting of Paradise Lost a valid interpretation, with the Edenic elements and the obvious fall. For Nature has a life-force which we cannot ignore, and a soul of its own, very Romantic. Such a reflective reading of the romantic texts in general, and 'Nutting' in particular, requires careful analysis of every word and phrase in the poem. This might for all you know be a metaphor for greedy man who build factories and fell trees to clear land for development. Flirting with the five senses, he seduces the reader into the beautiful backdrop of his lyrical ballad with an extravagant description of the natural setting.
He introduced the readers to grasp nature and fully appreciate all aspects of it. The story has an introduction, a climax, and a dénouement. The soul, bound in his body, can not liberate in his infancy. This violation of the pristine grove ruins the whole scene, leaving the poet feeling troubled and guilty. While Lucy normally has no voice, and seems passive, here Lucy is actively destroying hazels, and the speaker is directly addressing her instead of thinking or imagining about her. His impressions of nature are used to show the impact nature can have when one takes time to note the beauty in the world.
Sponsored Links ---------------------It seems a day I speak of one from many singled out One of those heavenly days that cannot die; When, in the eagerness of boyish hope, I left our cottage-threshold, sallying forth With a huge wallet o'er my shoulders slung, A nutting-crook in hand; and turned my steps Tow'rd some far-distant wood, a Figure quaint, Tricked out in proud disguise of cast-off weeds Which for that service had been husbanded, By exhortation of my frugal Dame-- Motley accoutrement, of power to smile At thorns, and brakes, and brambles,--and, in truth, More ragged than need was! Noticeably, nature here is portrayed as calmer than the more visual and intense scenes in Coleridge's conversational poems; the excitement is all from the speaker, not the scene itself, unlike the moving torrents of water commoner in Coleridge. What he realises is that everything around him is moving. It can be separated into 4 sections marked by the use of full stops or in one case an exclamation mark. This is the idea of reflection and contemplation on past Experience, and especially experiences with nature. Posted on 2013-12-12 by a guest. The parallels between this and Paradise Lost seem quite clear.
Instead of sex as sin, it is Nature as the Tempter, and unlike Paradise Lost, there is no external devil to whisper temptations into Eve's ear. The unique difference lies in the context of interpretation that makes it a remarkable one. When the child consciously commits a mistake it regrets and that is what happens in this poem. As it reaches the starting point of its adulthood, it almost looses much of its innocent quality. Therefore, the speaker in a sense escapes from the reality through nature. There was also an earlier version of the poem that was longer, which followed the story of a girl called Lucy who was faced with rape.
When employed with imagery and other techniques, such as alliteration, tone and the contrasting soft and harsh sounds, the poetic effects and meaning of the poem are further intensified. Again, childish delight as children are often destructive beings. The beauty of the language also guides the reader to comprehend the meaning of the expressions. He is happy to come across a previously uncharted territory, and sits beneath the trees and plays with the flowers. Autoplay next video ---------------------It seems a day I speak of one from many singled out One of those heavenly days that cannot die; When, in the eagerness of boyish hope, I left our cottage-threshold, sallying forth With a huge wallet o'er my shoulders slung, A nutting-crook in hand; and turned my steps Tow'rd some far-distant wood, a Figure quaint, Tricked out in proud disguise of cast-off weeds Which for that service had been husbanded, By exhortation of my frugal Dame-- Motley accoutrement, of power to smile At thorns, and brakes, and brambles,--and, in truth, More ragged than need was! The one aspect of his life that most… 2496 Words 10 Pages William Blake's London and William Wordsworth's London, 1802 The figure of the poet as it pertains to William Blake and William Wordsworth is different according to the perception of most analysts. The idea of forgiveness no matter what the crime seems almost godlike relating to the idea.
In other words, Wordsworth's ' Nutting' provides one of the best illustrations of the originality of romantic language and poetic form of the Romantic poets. Ignoring the conventional devices of figurative language, such as metaphor, Wordsworth manipulates natural language to evoke the images he desires to illustrate… 887 Words 4 Pages The nursing leader that I have chosen to do my paper on is Mary Adelaide Nutting. A careful reading of the poem is necessary to find the Romantic elements in it and to relate the poem to the historical facts of the period. It is however a useful guide as to his thoughts on the development of Lucy. Almost looking down upon the ease with which one could alter the landscape with no resistance from the natural world.
In his wilfulness to claim his property, he cannot resist nature's charms and fells the hazel bushes and the bower. The poem can also be about how taking anything by force can strip it of its value, and about how the ultimate price of greed is often guilt and disillusionment. Then up I rose, And dragged to earth both branch and bough, with crash And merciless ravage: and the shady nook Of hazels, and the green and mossy bower, Deformed and sullied, patiently gave up Their quiet being: and, unless I now Confound my present feelings with the past; Ere from the mutilated bower I turned Exulting, rich beyond the wealth of kings, I felt a sense of pain when I beheld The silent trees, and saw the intruding sky-- Then, dearest Maiden, move along these shades In gentleness of heart; with gentle hand Touch--for there is a spirit in the woods. William Wordsworth is considered a poet of nature and a topographic or landscape poet. Something beyond the realm of humans - perhaps the narrator is a trespasser upon the landscape? In contrast, people who spend a lot of time in nature, such as laborers and farmers, retain the purity and nobility of their souls. However this presentation is one of many, and should be in no way taken as the only interpretation. Images and metaphors alluding to mankind's greed, nature's innocence, and the speaker's rejection of accepted principles all serve to illustrate the speaker's passion to save their decadent eras.